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Vimy Week Stories - Mary Riter Hamilton

Date published:

April 2, 2024

Mary Riter Hamilton, was a Canadian war artist born in 1873, who blazed a trail for women in art. After war broke out in 1914, Hamilton sought to find ways to help. She volunteered for fundraising campaigns and began donating money by selling some of her paintings. 

However, Hamilton, who was driven by her deep sense of patriotism, wanted to do more. In 1916 she applied to the Canadian War Memorial Fund which offered artists the opportunity to travel to France and create works of art to commemorate Canadian actions in the First World War.

Dug Out on the Somme (1919) Mary Riter Hamilton. Library and Archives Canada, Acc. No. 1988-180-3

Unfortunately, Hamilton was rejected from the program simply for being a woman. It was believed that the battlefield was not a place where women belonged. But Hamilton would not let this rejection deter her from her goals.

After the war ended, Hamilton financed her own trip to Europe with the help of the Amputation Club of British Columbia where she would begin capturing the reality of the battlefields in her paintings. Hamilton’s main motivation was to ensure that the friends and families of soldiers in Canada could understand where the soldiers had lived, fought, or even died.

The Sadness of the Somme (c. 1920) Mary Riter Hamilton. Library and Archives Canada / Acc. No. 1988-180-19, item level R5966-19 / e011205200

When reflecting on her first visit to Vimy, Hamilton said, 

“The first day I went over Vimy, snow and sleet were falling, and I was able to realize what the soldiers had suffered. If there is something of the suffering and heroism of the war in my pictures, it is because at that moment, the spirit of those who fought and died seemed to linger in the air. Every splintered tree and scarred clot spoke of their sacrifice. Since then, nature has been busy covering up the wounds, and in a few years the last sign of the war will have disappeared. To have been able to preserve some memory of what this cosecreated corner of the world looked like after the storm is a great privilege and all the reward an artist could hope for”

Sanctuary Wood, Flanders (1920) Mary Rither Hamilton. Bibliothèque et Archives Canada / no d'acquisition 1988-180-21 / e011202176

As we honor Mary Riter Hamilton's legacy during Vimy Week, her canvases endure as testaments to individual commitment and the profound impact of art in shaping our understanding of freedom's cost.

To learn more about Mary Riter Hamilton’s work capturing the aftermath of the First World War, watch Historica Canada’s #HeritageMinute by clicking here

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Mother Canada In the lead up to the 90th anniversary of the unveiling of the Canadian National Vimy Memorial, Blair Ketcheson has made available a small release of prints from his Portraits of an Icon collection. “Mother Canada” is a striking fine-art photograph capturing one of the most powerful and recognizable figures of the Vimy Memorial. This image highlights the solemn grace and enduring symbolism of the monument, offering a deeply moving tribute to sacrifice and remembrance. Produced exclusively for the Vimy Foundation, each print is part of a limited edition of fifty, signed and numbered by the artist. Prints measure approximately 13” x 19” on 17” x 22” sheets. An Attribution Sheet accompanies every print, providing details about the image, edition, copyright, and framing. Each print is numbered to 50 and available only while supplies last. Copyright © 2014 Blair Ketcheson : All Rights Reserved.

"Mother Canada" Print by Blair Ketcheson numbered to 50

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The Vimy Memorial In the lead up to the 90th anniversary of the unveiling of the Canadian National Vimy Memorial, Blair Ketcheson has made available a small release of prints from his Portraits of an Icon collection. This fine-art photograph of the Vimy Memorial offers a timeless perspective on one of Canada’s most significant national symbols. Through careful composition and light, the image captures both the monument’s architectural grandeur and its profound historical meaning. Produced exclusively for the Vimy Foundation, each print is part of a limited edition of fifty, signed and numbered by the artist. Prints measure approximately 13” x 19” on 17” x 22” sheets. Included with every purchase is an Attribution Sheet outlining details about the photograph, edition, copyright, and framing. Each print is numbered to 50 and available only while supplies last. Copyright © 2014 Blair Ketcheson : All Rights Reserved.

"The Vimy Memorial" Print by Blair Ketcheson numbered to 50

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$ 300.00 

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Stone of Remembrance In the lead up to the 90th anniversary of the unveiling of the Canadian National Vimy Memorial, Blair Ketcheson has made available a small release of prints from his Portraits of an Icon collection. “Stone of Remembrance” highlights one of the defining elements found across Commonwealth war cemeteries. Each Stone bears the inscription “Their name liveth for evermore,” chosen by Rudyard Kipling from the Book of Ecclesiasticus, reflecting the enduring remembrance of the fallen. Produced exclusively for the Vimy Foundation, each print is part of a limited edition of fifty, signed and numbered by the artist. Prints measure approximately 13” x 19” on 17” x 22” sheets. An Attribution Sheet is included with each order, detailing the image, edition, copyright, and framing information. Each print is numbered to 50 and available only while supplies last. Copyright © 2014 Blair Ketcheson : All Rights Reserved.

"Stone of Remembrance" Print by Blair Ketcheson numbered to 50

$ 300.00 

$ 300.00